Version for 22-players This is a timecode-supported polytemporal chamber orchestra piece. alto flute/flute oboe clarinet in B flat bassoon horns in F 1 and 2 Trumpets in C 1 and 2 Tenor trombones 1 and 2 Piano Percussion (1) violin solo string quartet 1 string quartet 2 double bass Composed for the BBC Symphony Orchestra as part…
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This is a timecode-supported polytemporal orchestral piece. The piece is dedicated to my friend and colleague, the conductor and musician Ilan Volkov, whose belief in and support of my work engendered the creation of this orchestral piece. Where the prospect of orchestral music without a conductor and score would send many orchestras, conductors and artistic…
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For Chamber Orchestra Dedicated to my dear friends, Stephen Davismoon and Lauryna Sableviciute This is a timecode-supported polytemporal chamber orchestra piece. Duration 20’36” Programme note: ‘8. A classic is a work which constantly generates a pulviscular cloud of critical discourse around it, but which always shakes the particles off.’* *From 14 definitions of what makes…
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PAGAN is the original, complete orchestral work that comprises PAGAN I and PAGAN II. I divided PAGAN into two halves in the belief that it would be easier to receive performances of the smaller sections of the work, and this was the case, certainly regarding PAGAN II, which received several performances and broadcasts. It remains…
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This is a timecode-supported polytemporal orchestral piece Dedicated to my dear friend, the composer, Gordon Crosse. Duration: 30 minutes. Instrumentation: 4[1.2/picc.1.3/picc.2.4/Alt] – 3[1.2/Ca. 3/Bo] – 3[1.2/Ebcl.3/Bcl] – 3[1.2.3/Cbn] – 4.4[1.2.3/picc.4/picc] 3.1 – 2 Hps – Tmp+4* – Str:[16.14.12.10.8 as Violin 1: Soloists 1, 2, 3; violins 1a, 1b, 1c; Violin 2: Soloists 1, 2, and…
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[and] a powerful flame came out of the earth […] for large orchestra This is a timecode-supported polytemporal orchestral piece. Dedicated to my dear friend, Sylvia Junge, as a gift for her 80th. birthday. Instrumentation: 5[1/picc1.2.3.4/picc2.5/alto/picc3] – 5[1.2/Ca1.3.4.5/Ca2] – 5[1.2.3.Bcl1.Bcl2] – 5[1.2.3.Cbn1.Cbn2] – 8.5[1.2.3.4.Btpt]3.2 – Tmp(2 players)+1* – Str[16 (1 soli).14 (1 soli).12 (1 soli).10…
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This is a timecode-supported polytemporal orchestral piece. Dedicated to my dear friend, the composer, Gordon Crosse. Instrumentation:5 Flutes: Flute 1, Flute 2/Piccolo, Flute 3/Piccolo, Flute 4/Alto Flute, Flute 5/Bass Flute5 Oboes: Oboe 1, Oboe 2/Oboe d’amore, Oboe 3/Cor Anglais, Oboe 4/Cor Anglais, Oboe 5/Bass Oboe5 Clarinets: Clarinet 1, Clarinet 2/ E-Flat Clarinet, Clarinet 3, Bass…
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for chamber orchestra Dedicated to Mark Hewitt for his 43rd. birthday. Full Instrumentation: flute piccolo oboe 1 oboe 2 clarinet in Bb bass clarinet in Bb bassoon contrabassoon horn 1 in F horn 2 in F trumpet 1 in Bb trumpet 2 in Bb pianoforte (grand) percussion [1 player]: very large, deep, resonant bass drum,…
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For soprano and baritone soloists, SATB choir and orchestra. Commissioned by the Hallé Orchestra to celebrate World Aids Day 2008. Premiered by The Hallé Orchestra and Hallé Youth Choir, with Roderick Williams and Rebecca Botone as soloists. Conducted by Sir Mark Elder, at the Bridgewater Hall, Manchester 1st December 2008. My Blood is as Red…
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For orchestra. Dedicated to Nigel Evans. Instrumentation: flute 1, flute 2, flute 3/alto flute 2 oboes, cor anglais 2 clarinets in B flat, bass clarinet in B flat 2 bassoon, contrabassoon 4 horns in F 3 trumpets in C 2 tenor trombones, bass trombone tuba harp timpani percussion 1: bass drum Strings: 16.14.12.10.8. Duration: 15…
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For orchestra. Dedicated to Sir Peter Maxwell Davies on the occasion of his 70th birthday. flute 1, flute 2/piccolo 1, flute 3/alto flute/piccolo 2 2 oboes, cor anglais 2 clarinets in Bb, bass clarinet in Bb 2 bassoon, contrabassoon 4 horns in F 3 trumpets in Bb 2 tenor trombones, bass trombone tuba 2 harps…
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For Orchestra Instrumentation: 3[1.2/picc1. 3/picc2] 3[1.2.3/cor] 3[1.2/Eb.3/bcl] 3[1.2.3/cbn] – 4 3 3 1 – Harp – Pianoforte (grand) – Timpani+4* – Strings 16 14 12 10 8 Percussion* Set 1: high and low agogo bells, mid and low bongo, high tom-tom, high guiro, high-hat with jingle ring, mark tree, 8 differently pitched wood blocks (as…
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For orchestra. Dedicated to Mark Hewitt. Instrumentation: 3 Flutes, 3rd. doubling piccolo 3 oboes, 3rd. doubling cor anglais 3 clarinets in B flat, 3rd. doubling bass clarinet 3 bassoons, 3rd. doubling contrabassoon 4 horns in F 3 trumpets in C 2 tenor trombones, bass trombone tuba timpani Percussion (4)* 2 harps pianoforte strings: 16.14.12.10.8 *Percussion:…
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For large chamber orchestra. Commissioned by the St. Magnus Festival. First performed by the Scottish Chamber Orchestra, conducted by Sir Peter Maxwell Davies, Orkney, June 1997. Instrumentation: 2[1.2/picc] 2[1.2.] 2[1.2/Bcl] 2[1.2/cbn] – 2 2 0 0 – Timp – Strings: 10, 8, 6, 4, 2 minimum. Duration: 18 minutes. This is the revised version of…
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For orchestra. Instrumentation: Piccolo, 2 Flutes 2 Oboes, Cor anglais 2 Clarinets in B flat, Bass Clarinet 2 Bassoons, Contrabassoon 4 Horns in F 3 trumpets: Trumpet 1 in C doubling Piccolo Trumpet, 2 Trumpets in C 2 Tenor Trombones, Bass Trombone Tuba Timpani Percussion: 4 players Claves, Wood Blocks (high, medium, low), Agogo Bells…
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For Orchestra. Dedicated to Sir Peter Maxwell Davies. First performed by the Tokyo City Philharmonic Orchestra, conducted by Naohiro Totsuka, Tokyo City Opera Concert Hall Tokyo, November 1997. A BBC Radio 3 broadcast with the BBC Philharmonic conducted by Sir Peter Maxwell Davies took place February 2000. Instrumentation: 3[3 picc]. 3[1.2.3] 3[1.2.3/Bcl] 3[1.2.Cbn] – 4…
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The Round and Square Art of Memory for piano and orchestra. Commissioned by the BBC for the BBC Philharmonic Orchestra and Kathryn Stott (piano). 1st performance to take place on 5th Feb. 2000 at the Bridgewater Hall, Manchester, BBC Philharmonic Orchestra, Kathryn Stott (piano), conductor Martyn Brabbins. Dedicated to Kathryn Stott and the BBC Philharmonic.…
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I See Blue 14 minutes for orchestra (3.3.3.3 – 4.3.3.1 – harp, piano, percussion (1) – 16.14.12.10.8) Note: I See Blue (1995) My first orchestral work and one of my first professional pieces composed shortly after my attendance at the Hoy Composer’s Summer School on Orkney run by Sir Peter Maxwell Davies and Sally Beaminsh…
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