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# Marc Yeats | Composer

Marc Yeats - Composer

## Posts

- [works](https://www.marc-yeats.com/works/) - Detailed descriptions about all Marc's compositions including programme notes and additional information and links.
- [unseasonal chaos (2026)](https://www.marc-yeats.com/unseasonal-chaos-2026/)
- [in the warm, sandy lands](https://www.marc-yeats.com/in-the-warm-sandy-lands/)
- [the half-life of facts (2014)](https://www.marc-yeats.com/the-half-life-of-facts-2014/) - Timecode-supported polytemporal quintet commissioned and premiered by Syzygy Ensemble, Australia.
- [born of flesh, bone and brain](https://www.marc-yeats.com/born-of-flesh-bone-and-brain/)
- [Flow Country](https://www.marc-yeats.com/flow-country/)
- [a passing of whispers](https://www.marc-yeats.com/a-passing-of-whispers/)
- [Support](https://www.marc-yeats.com/support/)
- [A Book of Fire and Shadow: Sixteen Preludes for Organ](https://www.marc-yeats.com/a-book-of-fire-and-shadow-sixteen-preludes-for-organ/)
- [and here and there (2025)](https://www.marc-yeats.com/and-here-and-there-2025/)
- [Second Amorphic Hymn](https://www.marc-yeats.com/second-amorphic-hymn/)
- [vivid forms of imagery emerge (2025)](https://www.marc-yeats.com/vivid-forms-of-imagery-emerge-2025/) - For organ Programme Note vivid forms of imagery emerge [1 of 3] hazy dimensions of numbness [2 of 3] fullness as a strengthening property [3 of 3] These three organ compositions stand as independent works, each with its own distinct character and expressive voice. Yet, through the shared threads of self-borrowed and transformed musical materials,
- [First Amorphic Hymn](https://www.marc-yeats.com/first-amorphic-hymn/)
- [the delightful melancholy of this place (2025)](https://www.marc-yeats.com/the-delightful-melancholy-of-this-place-2025-2/)
- [hazy dimensions of numbness (2025)](https://www.marc-yeats.com/hazy-dimensions-of-numbness-2025/)
- [as they fall into the sea (for bassoon)](https://www.marc-yeats.com/as-they-fall-into-the-sea-for-bassoon/)
- [four inventions for Lauryna](https://www.marc-yeats.com/four-inventions-for-lauryna/)
- [nearly all my poems are letters to you (2020 rev. 2025)](https://www.marc-yeats.com/nearly-all-my-poems-are-letters-to-you-2020/) - For Harp solo. Composed 2020
- [Skye Songs [1]](https://www.marc-yeats.com/skye-songs-1/)
- [but rather it stems from a complex interplay](https://www.marc-yeats.com/but-rather-it-stems-from-a-complex-interplay/)
- [as they fall into the sea (contrabassoon)](https://www.marc-yeats.com/as-they-fall-into-the-sea-contrabassoon/)
- [outpourings from a noisy brain (double bass): 1](https://www.marc-yeats.com/outpourings-from-a-noisy-brain-double-bass-1/)
- [ESOlo VI (for Tuba)](https://www.marc-yeats.com/esolo-vi-for-tuba/)
- [ESOlo VII (double bass)](https://www.marc-yeats.com/esolo-vii-double-bass/)
- [bricolage III (for two guitars) 2023](https://www.marc-yeats.com/bricolege-iii-for-two-guitars/)
- [black, less and yellow](https://www.marc-yeats.com/black-less-and-yellow/)
- [URBANITIES (2001)](https://www.marc-yeats.com/urbanities/)
- [ghost in a go-go bar (2010)](https://www.marc-yeats.com/ghost-in-a-go-go-bar-2010/)
- [and vanished moments (2024)](https://www.marc-yeats.com/leading-to-similarities-2024/)
- [vague or maybe missing](https://www.marc-yeats.com/vague-or-maybe-missing/)
- [sometimes capricious](https://www.marc-yeats.com/sometimes-capricious/)
- [leading to similarities (2024)](https://www.marc-yeats.com/leading-to-similarities-2024-2/)
- [the pictographs of emmanuel domenech [2015]](https://www.marc-yeats.com/the-pictographs-of-emmanuel-domenech-2015/) - Dedicated to Gordon Crosse
- [pumping iron (1996)](https://www.marc-yeats.com/pumping-iron-1996/)
- [‘On a Theme of Hermes’ (2011)](https://www.marc-yeats.com/on-a-theme-of-hermes-2011/)
- [the golden apple of discord (2013)](https://www.marc-yeats.com/the-golden-apple-of-discord-2013/)
- [logos [2013]](https://www.marc-yeats.com/logos-2013/)
- [the shape distance [7] (2013)](https://www.marc-yeats.com/the-shape-distance-7-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [6] (2013)](https://www.marc-yeats.com/the-shape-distance-6-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [4] (2013)](https://www.marc-yeats.com/the-shape-distance-4-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [3] (2013)](https://www.marc-yeats.com/the-shape-distance-3-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [an exploration of bright (2014)](https://www.marc-yeats.com/an-exploration-of-bright-2014/) - Timecode-supported polytemporal quartet Written for Chamber Cartel
- [and I must borrow every changing shape (2014)](https://www.marc-yeats.com/and-i-must-borrow-every-changing-shape-2014/)
- [the shape distance [11] [harp / piano] 2013](https://www.marc-yeats.com/the-shape-distance-11-harppiano-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [12] 2014](https://www.marc-yeats.com/the-shape-distance-12-2014/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [13] 2014](https://www.marc-yeats.com/the-shape-distance-13-2014/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [14] 2014](https://www.marc-yeats.com/the-shape-distance-14-2014/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [Cutouts for Ensemble (2019)](https://www.marc-yeats.com/cutouts-for-ensemble-2019/) - Cutouts for Ensemble is a 13-minute timecode-supported polytemporal composition for violin and ensemble.
- [Liquid Music for Ensemble (2019)](https://www.marc-yeats.com/liquid-music-for-ensemble-2019/) - An 18-minute timecode-supported ensemble piece for 8-players: Clarinet in B-flat, Oboe, Harp, String Quartet, Percussion (1)* Dedicated to Gleb Kanasevich
- [falling from the centre of night](https://www.marc-yeats.com/falling-from-the-centre-of-night/)
- [Five Sea Shanties for the Twenty-First Century](https://www.marc-yeats.com/five-sea-shanties-for-the-twenty-first-century/)
- [bricolage I (solo guitar) 2022](https://www.marc-yeats.com/bricolage-1/)
- [rhêma (2010)](https://www.marc-yeats.com/rhema-2010/)
- [bordering into something else](https://www.marc-yeats.com/bordering-into-something-else/)
- [through tongues of clarity and shifting](https://www.marc-yeats.com/through-tongues-of-clarity-and-shifting/)
- [ESOlo I (horn)](https://www.marc-yeats.com/esolo-i-horn/)
- [ESOlo II (flute)](https://www.marc-yeats.com/esolo-ii-flute/)
- [ESOlo III (violoncello)](https://www.marc-yeats.com/esolo-iii-violoncello/)
- [ESOlo IV (violin)](https://www.marc-yeats.com/esolo-iv-violin/)
- [a point in the landscape (2020)](https://www.marc-yeats.com/a-point-in-the-landscape-2020/)
- [outpourings from a noisy brain](https://www.marc-yeats.com/outpourings-from-a-noisy-brain/)
- [a mesh of tangled lines](https://www.marc-yeats.com/a-mesh-of-tangled-lines/)
- [worship of the oak (2011)](https://www.marc-yeats.com/worship-of-the-oak-for-piano-november-2011/)
- [hard against your earth (solos for Trumpet in Bb) ](https://www.marc-yeats.com/hard-against-your-earth-solos-for-trumpet-in-bb/)
- [My Blood is as Red as Yours (2008)](https://www.marc-yeats.com/my-blood-is-as-red-as-yours-2008/)
- [PAGAN II (1996)](https://www.marc-yeats.com/pagan-ii/)
- [The Round and Square Art of Memory (1999)](https://www.marc-yeats.com/the-round-and-square-art-of-memory-1999/)
- [The Anatomy of Water (1998)](https://www.marc-yeats.com/the-anatomy-of-water-1998/)
- [comparison is the thief of joy](https://www.marc-yeats.com/comparison-is-the-thief-of-joy/)
- [each changing #1](https://www.marc-yeats.com/each-changing-2020/)
- [each changing #4](https://www.marc-yeats.com/each-changing-duo-for-2-b-flat-clarinets-2020/)
- [each changing #2](https://www.marc-yeats.com/each-changing-2/)
- [each changing #3](https://www.marc-yeats.com/each-changing-3/)
- [each changing #5](https://www.marc-yeats.com/each-changing-5/)
- [each changing #6](https://www.marc-yeats.com/each-changing-6/)
- [gravity lost](https://www.marc-yeats.com/gravity-lost/)
- [a stronger gravity](https://www.marc-yeats.com/a-stronger-gravity/)
- [bricolage IV](https://www.marc-yeats.com/bricolage-iv/)
- [bricolage VI](https://www.marc-yeats.com/bricolage-vi/)
- [VOX (2001)](https://www.marc-yeats.com/vox-2001/)
- [In Memoriam: Gordon Crosse](https://www.marc-yeats.com/in-memoriam-gordon-crosse/) - Marc Created in memory of my dear friend, colleague and composer, Gordon Crosse, who died in November 2021 at his home in Suffolk. His presence in my life is sorely missed. The video comprises footage of the sea filmed at Covehithe on the Suffolk coast, a favourite haunt of mine and a special place Gordon would
- [new land (2021)](https://www.marc-yeats.com/new-land-2021/)
- [william mumler's spirit photography (2016)](https://www.marc-yeats.com/william-mumlers-spirit-photography-2016/) - Dedicated to Chrissie Caulfield and written for pianist Ian Pace
- [sturzstrom (2011)](https://www.marc-yeats.com/sturzstrom-2011/)
- [cold kitchen hill (2019)](https://www.marc-yeats.com/cold-kitchen-hill-2019/) - 'cold kitchen hill' is a 40-minute piece for solo piano dedicated to my friend and colleague, Ian Pace.
- [streaming (2014)](https://www.marc-yeats.com/streaming-2014/) - Dedicated to Carlton Vickers.
- [the unimportance of events (2021)](https://www.marc-yeats.com/the-unimportance-of-events-2021/)
- [comforted by a static bond (2020)](https://www.marc-yeats.com/comforted-by-a-static-bond-2020/)
- [i urge the moment forward (2020)](https://www.marc-yeats.com/i-urge-the-moment-forward-2020/)
- [professor wingard's nameless force (2010/15)](https://www.marc-yeats.com/professor-wingards-nameless-force-201015/) - Dedicated to Geert Callaert
- [pneuma (2020)](https://www.marc-yeats.com/pneuma-2020/) - Solo for contrabass Paetzold recorder. Dedicated to Sylvia Hinz. Composed 2020
- [the shape distance [1] (2013)](https://www.marc-yeats.com/the-shape-distance-1-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [Conrad's Toye (2020)](https://www.marc-yeats.com/conrads-toye-2020/) - For solo piano. Dedicated to Conrad Tao. Composed 2020
- [Toy Box (2020)](https://www.marc-yeats.com/toy-box-2020/) - 15 pieces for solo piano. Composed 2020
- [territories unknown (2020)](https://www.marc-yeats.com/territories-unknown-2020/) - A timecode-supported polytemporal trio for bassoon, viola and piano. Dedicated to Lauryna Sableviciute. Composed 2020
- [searching always for home (2020)](https://www.marc-yeats.com/searching-always-for-home-2020/) - A timecode-supported polytemporal duo for violin and piano circa 18 minutes, dedicated to Peter Sheppard Skaerved.
- [searching always for home (2020)](https://www.marc-yeats.com/searching-always-for-home-2020-2/) - For solo violin circa 18 minutes. dedicated to Peter Sheppard Skaerved.
- [dark gravity (2) (2014)](https://www.marc-yeats.com/dark-gravity-2-wind-trio-2014/) - This is a timecode-supported polytemporal trio for oboe, clarinet in B-flat and bassoon, circa 16 minutes in duration. Dedicated to the Gelachter Wind Trio.
- [dark gravity (3) (2014)](https://www.marc-yeats.com/dark-gravity-3-2014/) - Timecode-supported polytemporal trio for flute, clarinet and bassoon circa 16 minutes.
- [intoxicated by escape (2020)](https://www.marc-yeats.com/intoxicated-by-escape-2020/)
- [a passing colour (2020)](https://www.marc-yeats.com/a-passing-colour-2020/)
- [[...] which constantly generates a pulviscular cloud [...] (2019)](https://www.marc-yeats.com/which-constantly-generates-a-pulviscular-cloud-2019/) - [...] which constantly generates a pulviscular cloud [...] (2019) is an 18-minute timecode-supported polytemporal chamber orchestral piece.
- [dark gravity (2014)](https://www.marc-yeats.com/dark-gravity-2014/) - This is a timecode-supported polytemporal quartet for oboe, clarinet in B-flat, bassoon and percussion, circa 16 minutes. Dedicated to the Gelachter Wind Trio.
- [Conversational Geometry (2009)](https://www.marc-yeats.com/conversational-geometry-2009/)
- [A Waiting Ghost in the Blue Sky (1999)](https://www.marc-yeats.com/a-waiting-ghost-in-the-blue-sky-1999/)
- [hȳran for solo viola [2013]](https://www.marc-yeats.com/hȳran-for-solo-viola-2013/) - Premiered by stephen Upshaw
- [[and] a powerful flame came out of the earth [...] (2019)](https://www.marc-yeats.com/and-a-powerful-flame-came-out-of-the-earth/) - [and] a powerful flame came out of the earth [...] (2019) is a 32-minute timecode-supported polytemporal piece for large orchestra dedicated to Sylvia Jungé.
- [the heaven that runs through everything (2018) large orchestra iteration](https://www.marc-yeats.com/the-heaven-that-runs-through-everything-2017/) - 'the heaven that runs through everything' (2018) large orchestra iteration, is a 30-minute timecode-supported polytemporal piece dedicated to Gordon Crosse.
- [the heaven that runs through everything (2018) standard orchestra iteration.](https://www.marc-yeats.com/the-heaven-that-runs-through-everything-2018-standard-orchestra-iteration/) - 'the heaven that runs through everything' (2018) standard orchestra iteration is a timecode-supported polytemporal orchestral piece dedicated to Gordon Crosse.
- [The Anatomy of Melancholy Album](https://www.marc-yeats.com/the-anatomy-of-melancholy-album/) - The Anatomy of Melancholy, Marc Yeats' first piano album performed by Ian Pace is now available to purchase.
- [the unimportance of events (2020)](https://www.marc-yeats.com/the-unimportance-of-events-2020/) - A timecode-supported polytemporal ensemble piece for 17 players. Dedicated to my friend and composer, Jason Eckardt. Composed 2020
- [when time is broke (2019)](https://www.marc-yeats.com/when-time-is-broke-2019/) - A timecode-supported polytemporal ensemble piece for 9 players (piccolo, oboe, clarinet, bass clarinet, trumpet, violin, cello, double bass and percussion)
- [observation 1.5 (no man's land)](https://www.marc-yeats.com/observation-1-5-no-mans-land/) - This is timecode-supported polytemporal trio inspired by my residency at Winchester Science Park and the South Downs National Park with SPUD's 'the Observatory.
- [pulviscular compression (2019)](https://www.marc-yeats.com/pulviscular-compression-2019/) - 'pulviscular compression' is an 11-minute timecode-supported polytemporal composition for 19 string instruments.
- [pulviscular observations (2019)](https://www.marc-yeats.com/pulviscular-observation-2019/) - 'pulviscular observation' is an elegiac and sometimes explosive 11-minute timecode-supported polytemporal piece for double string quartet.
- [chablon: percussion quartet (2016)](https://www.marc-yeats.com/chablon-2014-percussion-quartet/) - chablon: for four percussionists. Duration circa 18 minutes in duration. Dedicated to Jane Yeats for her 50th Birthday. Commissioned by Chamber Cartel for their Ancana Series. Premieres and performances at The Goat Farm Arts Center in Goodson Yard, Atlanta, Georgia, US on November 15th 2014 at 8 pm.
- [observation 5 (perpendicular music) for string quartet (2016)](https://www.marc-yeats.com/observation-5-perpendicular-music-for-string-quartet-2016/) - This string quartet is a timecode-supported polytemporal piece that is performed from fully notated parts without a score.
- [observation 4 (easton bavents) for string quartet (2016)](https://www.marc-yeats.com/observation-4-easton-bavents-for-string-quartet-2016/) - This string quartet is a timecode-supported polytemporal piece that is performed from fully notated parts without a score.
- [mencken's history of the bathtub [2015]](https://www.marc-yeats.com/menckens-history-of-the-bathtub-2015/) - percussion solo dedicated to caleb Heron of Chamber Cartel
- [schlick’s approximation (2010)](https://www.marc-yeats.com/schlicks-approximation-2010/)
- [observation 6 (fawley down) 2016](https://www.marc-yeats.com/observation-6-fawley-down-2016/) - 'observation 6' is a timecode-supported polytemporal ensemble piece that is performed from fully notated parts without a score or conductor.
- [observation 7 (gander down) 2016](https://www.marc-yeats.com/observation-7-gander-down-2016/) - Observation 7 is a timecode-supported polytemporal ensemble piece that is performed from fully notated parts without a score or conductor.
- [observation 3 (salt hill) 2016](https://www.marc-yeats.com/observation-3-salt-hill-2016/) - This is timecode-supported polytemporal piece for double string quartet and double bass | dedicated to Neil March | 15 miutes
- [observation 1.8 (easton woods) (2017)](https://www.marc-yeats.com/observation-1-8-easton-woods-2017/) - This timecode-supported polytemporal trio for bass recorder, oboe and violin is a timecode-supported polytemporal piece that is performed from fully notated parts without a score or conductor.
- [obscure sorrows (2019)](https://www.marc-yeats.com/obscure-sorrows-2019/) - An 11-minute timecode-supported polytemporal composition for violin and clarinet doubling bass drum. Dedicated to my friend, William A.P.M.
- [witch marks (2016)](https://www.marc-yeats.com/witch-marks-2016/) - Double bass piece dedicated to Svetozar Vujic
- [Metaphors of Battle and Conquest (1999)](https://www.marc-yeats.com/metaphors-of-battle-and-conquest-1999/)
- [strange and artificial echos (2012)](https://www.marc-yeats.com/strange-and-artificial-echos-2012/)
- [θραύσμα (2011)](https://www.marc-yeats.com/θραύσμα-2011/)
- [Marching with Ethel (2008)](https://www.marc-yeats.com/marching-with-ethel-2008/)
- [remembering Déjà vu (2014)](https://www.marc-yeats.com/remembering-deja-vu-2014/) - remembering Déjà vu duration: circa 13 minutes Note about the title: Déjà vu, (/ˌdeɪʒɑː ˈvuː/) from French, literally “already seen”, is the phenomenon of having the strong sensation that an event or experience currently being experienced has been experienced in the past, whether it has actually happened or not. The psychologist Edward B. Titchener in his book A Textbook of Psychology (1928), explained déjà vu as caused by a person having a brief glimpse of an object or situation, before the brain has completed “constructing” a full conscious perception of the experience. Such a “partial perception” then results in a false sense of familiarity.
- [cohort (2014)](https://www.marc-yeats.com/cohort-2014/)
- [shapeshifter (2015)](https://www.marc-yeats.com/shapeshifter-2015/) - This is timecode-supported polytemporal piece for E flat clarinet and ensemble dedicated to Gleb Kanasevich
- [vacuum beauty helmet (2015)](https://www.marc-yeats.com/vacuum-beauty-helmet-2015/) - For clarinet in B Flat and piano – written for Sarah Watts, dedicated to Sadie Harrison. Duration: 7 minutes.
- [the appointment of life (2015)](https://www.marc-yeats.com/the-appointment-of-life-2015/) - Dedicated to Carl Thiemt and Eduardo Mota :: circa 23 minutes in duration.
- [observation 1.6 (old winchester hill) (2015)](https://www.marc-yeats.com/observation-1-6-old-winchester-hill-2015/) - observation 1.6 [old winchester hill] for 2 violins and piano is timecode-supported polytemporal piece. Duration circa 11.30 minutes.
- [observation 1.7.5 (2015)](https://www.marc-yeats.com/observation-1-7-5-2015/) - This is timecode-supported polytemporal trio inspired by my residency at Winchester Science Park and the South Downs National Park with SPUD's 'the Observatory.
- [an uncomfortable condition (2016)](https://www.marc-yeats.com/an-uncomfortable-condition-2016/) - This is timecode-supported polytemporal piece commissioned by La Côte Flûte Festival 2016 and premiered by the Dorian Consort.
- [observation 1.7 (longwood warren) for flute oboe (violin) (2015)](https://www.marc-yeats.com/observation-1-7-longwood-warren-for-flute-oboe-violin-2015/) - This is a timecode-supported polytemporal trio inspired by my residency at Winchester Science Park and the South Downs National Park with SPUD's 'the Observatory.
- [as a measurement of entanglement (2013)](https://www.marc-yeats.com/as-a-measurement-of-entanglement/)
- [the great moon hoax (2015)](https://www.marc-yeats.com/the-great-moon-hoax-2015/) - asynchronous piece for two pianos
- [mr redheffer's perpetual motion machine (2015)](https://www.marc-yeats.com/mr-redheffers-perpetual-motion-machine-2015/) - asynchronous piece for two pianos
- [liquid music (2017)](https://www.marc-yeats.com/liquid-music-2017/) - A virtuosic solo for clarinet. Dedicated to Gleb Kanasevich.
- [observation 1 (ovington down) string quartet (2015)](https://www.marc-yeats.com/observation-one-ovington-down-string-quartet-2015/) - This is timecode-supported polytemporal string quartet inspired by my residency at Winchester Science Park and the South Downs National Park with SPUD's 'the Observatory.
- [sunergia (2012)](https://www.marc-yeats.com/sunergia-2012/)
- [amy's toye [2014]](https://www.marc-yeats.com/amys-toye-2014/) - Solo piano piece dedicated to Amy
- [caleb's toye (2014)](https://www.marc-yeats.com/calebs-toye-2014/) - Dedicated to caleb Herron of Chamber Cartel
- [I See Blue (1995)](https://www.marc-yeats.com/i-see-blue-1995/)
- [Mary, Polly, Sukie, Jack and Jill (2000)](https://www.marc-yeats.com/mary-polly-sukie-jack-and-jill-2000/)
- [Sculptures in bright blue (2014)](https://www.marc-yeats.com/sculptures-in-bright-blue-2014/) - Dramatic Scene for soprano and alto saxophone
- [My Songs (2003)](https://www.marc-yeats.com/my-songs-2003/)
- [observation 2 (oxey marsh) 2015](https://www.marc-yeats.com/observation-2-oxey-marsh-2015/) - This is timecode-supported polytemporal string quartet inspired by my residency at Lymington Salt Marshes with SPUD's 'the Observatory.
- [The Shape Distance [9] (2013)](https://www.marc-yeats.com/the-shape-distance-9-2013/) - For two flutes. Dedicated to Caleb Herron.
- [ōrāre (2009)](https://www.marc-yeats.com/orare-2009/)
- [through woods in riot [2013]](https://www.marc-yeats.com/through-woods-in-riot-2013/) - Dedicated to Meridian Brass [2 trumpets, 2 trombones].
- [the viciousness of circles (1998)](https://www.marc-yeats.com/the-viciousness-of-circles-1999/)
- [uncertainty principle [2013]](https://www.marc-yeats.com/uncertainty-principle-2013/)
- [thought experiments [2013]](https://www.marc-yeats.com/thought-experiments-2013/)
- [the shape distance [5] (2013)](https://www.marc-yeats.com/the-shape-distance-5-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [the shape distance [2] (2013)](https://www.marc-yeats.com/the-shape-distance-2-2013/) - the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. This music for flute and clarinet, either together or individually pervades all subsequent pieces in the series.
- [The North Sound (2005 - refreshed 2013)](https://www.marc-yeats.com/the-north-sound-2005/)
- [the naked man (2016)](https://www.marc-yeats.com/the-naked-man-2016/) - Duration circa 10 minutes. Dedicated to Stephen Davismoon and Lauryna Sableviciute
- [the moon upright [wind trio] 2014](https://www.marc-yeats.com/the-moon-upright-wind-trio-2014/) - Timecode-supported polytemporal trio for flute, oboe and clarinet
- [the magical control of rain (2012)](https://www.marc-yeats.com/the-magical-control-of-rain/) - Posthumously dedicated to the Scottish composer Morris Pert
- [the anatomy of melancholy (1998)](https://www.marc-yeats.com/the-anatomy-of-melancholy-1998/)
- [The Anatomy of Air (1997/2011)](https://www.marc-yeats.com/the-anatomy-of-air-1997/)
- [Tacit Geometry (2009)](https://www.marc-yeats.com/tacit-geometry-2009/)
- [Prorrhesis (March 2011)](https://www.marc-yeats.com/prorrhesis/)
- [Playful Geometry (2009)](https://www.marc-yeats.com/playful-geometry-2009/)
- [pathos (2012)](https://www.marc-yeats.com/pathos-2012/) - Commissioned by Antara Project and dedicated to Patrick Tapio Johnson and Annemarie Borg
- [Ouroboros (2009)](https://www.marc-yeats.com/ouroboros-2009/)
- [oros [2013]](https://www.marc-yeats.com/oros-2013/) - Commissioned by Auditiv Vokal, Dresdan.
- [Orange Afternoon (1997)](https://www.marc-yeats.com/orange-afternoon-1997/)
- [October Pieces (2000-2001)](https://www.marc-yeats.com/october-pieces-complete-2000/)
- [mad canary (1999)](https://www.marc-yeats.com/mad-canary-1999/)
- [Journey to Nowhere in Particular (2005)](https://www.marc-yeats.com/journey-to-nowhere-in-particular-2005/)
- [Have Heard This Dialogue for One (2003)](https://www.marc-yeats.com/have-heard-this-dialogue-for-one-2003/)
- [Fallen Angel (2007)](https://www.marc-yeats.com/fallen-angel-2007/) - Commissioned by the Scottish Clarinet Quartet
- [ethos (2012)](https://www.marc-yeats.com/ethos-2012/)
- [ERIS (2011)](https://www.marc-yeats.com/eris-2011/)
- [Enûma Eliš (2010)](https://www.marc-yeats.com/enuma-elis-2010/)
- [cutouts [2014]](https://www.marc-yeats.com/cutouts-2014/) - commissioned and premiered by Daniele Colombo
- [burnt axon (2016)](https://www.marc-yeats.com/burnt-axon-2016/) - Dedicated to Darinka Todorov. Duration circa 6.40
- [black sun (2013)](https://www.marc-yeats.com/black-sun-2013/) - Work for chamber orchestra
- [beyond this [all had been chaos] 2014](https://www.marc-yeats.com/beyond-this-all-had-been-chaos-2014/) - Asynchronous duo for viola and percussion.
- [a theft of cold moisture (2013)](https://www.marc-yeats.com/a-theft-of-cold-moisture-2013/) - Premiered by Jenni Hogan
- [A moment in blue (2009)](https://www.marc-yeats.com/a-moment-in-blue-2009/)
- [A fractured melody (2004)](https://www.marc-yeats.com/a-fractured-melody-2004/)
- [PAGAN I (1997)](https://www.marc-yeats.com/pagan-i-1997/)
- [PAGAN (1996-97)](https://www.marc-yeats.com/pagan-1996-97/) - PAGAN is the original, complete orchestral work that comprises PAGAN I and PAGAN II. It is dedicated to Peter Maxwell Davies.
- [The Devil’s Day Out (2002)](https://www.marc-yeats.com/the-devils-day-out-2002/)
- [Elysian Fields (2005)](https://www.marc-yeats.com/elysian-fields-2005/)
- [Lullaby (1999)](https://www.marc-yeats.com/lullaby-1999/)
- [black root [2013]](https://www.marc-yeats.com/black-root-2013/) - Dedicated to markus Wenninger
- [Soft Geometry (2008)](https://www.marc-yeats.com/soft-geometry-2008/)
- [Child to the Black Faced Night (2005)](https://www.marc-yeats.com/child-to-the-black-faced-night-2005/)
- [Farben Studie: for small ensemble (2011)](https://www.marc-yeats.com/farben-studie-for-small-ensemble-2011/)
- [The Sea Bells Perpetual Angelus (2003)](https://www.marc-yeats.com/the-sea-bells-perpetual-angelus-2003/)
- [An Interrupted Passacaglia (2003)](https://www.marc-yeats.com/an-interrupted-passacaglia-2003/)
- [Escher’s Geometry (2009)](https://www.marc-yeats.com/eshers-geometry-2009/)
- [Distant Blue (2010)](https://www.marc-yeats.com/distant-blue-2010/)
- [Colour Songs Mashups 1-3 (2011)](https://www.marc-yeats.com/colour-songs-mashups-1-3-2011/)
- [Nanoqueen (2011)](https://www.marc-yeats.com/nanoqueen-2011/)
- [caliban's awakening (2010)](https://www.marc-yeats.com/calibans-awakening-2010/)
- [black bile (2012)](https://www.marc-yeats.com/black-bile-2012/) - Commissioned by Thumb Ensemble
- [the need fire (2012)](https://www.marc-yeats.com/the-need-fire/) - Commissioned by the Corsham Festival 2012
- [lines and distances (2012)](https://www.marc-yeats.com/lines-and-distances-2012/)
- [wenhaston doom (2012)](https://www.marc-yeats.com/wenhaston-doom-2012/)
- [quarter-sounds (2012)](https://www.marc-yeats.com/quarter-sounds-2012/)
- [adam's grave [clarinet quintet 2013]](https://www.marc-yeats.com/adams-grave-clarinet-quintet-2013/)
- [corpuscular theory of light [2013]](https://www.marc-yeats.com/corpuscular-theory-of-light-2013/)
- [and cherries all black [2013]](https://www.marc-yeats.com/and-cherries-all-black-2013/)
- [invoco [2013]](https://www.marc-yeats.com/invoco-2013/) - Duo for bassoon and soprano saxophone
- [the dog and the wolf [2013] for 7 instrumentalists](https://www.marc-yeats.com/the-dog-and-the-wolf-2013-for-6-instrumentalists/)
- [vulgar gorgon [2014] for rock ensemble](https://www.marc-yeats.com/vulgar-gorgon-2014-for-rock-ensemble/)
- [a pathology of line [2014]](https://www.marc-yeats.com/a-pathology-of-line-2014/) - Duo for piano and bassoon.
- [out of the dead land [2014]](https://www.marc-yeats.com/out-of-the-dead-land-2014/) - Solo guitar work with many extended techniques, dedicated to Ondrej Vessely
- [Spring-heeled jack [march 2015]](https://www.marc-yeats.com/spring-heeled-jack/) - Encore flute solo dedicated to Carlton Vickers
- [the shape distance [2013] Album](https://www.marc-yeats.com/the-shape-distance-2013-album/) - Collection of 'the shape distance' pieces for ensemble performed by Chamber Cartel
- [….the other side of air (2008)](https://www.marc-yeats.com/the-other-side-of-air-2008/) - Dedicated to Helmut Stampfli
- [from manuscripts of moving song (2012)](https://www.marc-yeats.com/from-manuscripts-of-moving-song-2012/) - Asynchronous string quartet
- [forget-me-not [2016]](https://www.marc-yeats.com/forget-me-not-2016/) - Commissioned by Yeovil District and Dorchester County Hospitals as part of their ReFound Sound Project researching dementia.
- [Summer makes the Night Light (2000)](https://www.marc-yeats.com/summer-makes-the-night-light-2000/)
- [Davey Jones’ Locker (2001)](https://www.marc-yeats.com/davey-jones-locker-2001/)
- [For There’s a Kind of World Remaining Still (2003)](https://www.marc-yeats.com/for-theres-a-kind-of-world-remaining-still-2003/)
- [Repeat Offenders (2003)](https://www.marc-yeats.com/repeat-offenders-2003/)
- [Learning to Spell (2001)](https://www.marc-yeats.com/learning-to-spell-2001/)
- [Is It Me? (1997)](https://www.marc-yeats.com/is-it-me-1997/)
- [The Hour of the Wolf (1999)](https://www.marc-yeats.com/the-hour-of-the-wolf-1999/)
- [room (1997)](https://www.marc-yeats.com/room-1997/)
- [Only the Trees will Whisper in the Dark (2000)](https://www.marc-yeats.com/only-the-trees-will-whisper-in-the-dark-2000/)
- [flute quartet (1994)](https://www.marc-yeats.com/flute-quartet-1994/)
- [War Cries (2003)](https://www.marc-yeats.com/war-cries-2003/)
- [ASCII Dialogues (2003)](https://www.marc-yeats.com/ascii-dialogues-2003/)
- [Hunting Magic (2001)](https://www.marc-yeats.com/hunting-magic-2001/)
- [Jigsaw (2003)](https://www.marc-yeats.com/jigsaw-2003/)
- [Array (2006)](https://www.marc-yeats.com/array-2006/)
- [Shadow, and the Moon (2009)](https://www.marc-yeats.com/shadow-and-the-moon-2009/)
- [Passions of a Discontented Mind (2005)](https://www.marc-yeats.com/passions-of-a-discontented-mind-2005/)
- [Stillness in Movement (complete) (2004)](https://www.marc-yeats.com/stillness-in-movement-complete-2004/)
- [Cerberus (2008)](https://www.marc-yeats.com/cerberus-2008/)
- [Cerberus (2008)](https://www.marc-yeats.com/cerberus-2008-2/)
- [Whiz King (2002)](https://www.marc-yeats.com/whiz-king-2002/) - The 'overture' to an unwritten opera.
- [TLOS (August 2011)](https://www.marc-yeats.com/tlos-august-2011/)
- [The Bone Eating Snot Flower: for recorder quintet (2011)](https://www.marc-yeats.com/the-bone-eating-snot-flower-for-recorder-quintet-2011/)
- [Hocus – Pocus (2004)](https://www.marc-yeats.com/hocus-pocus-2004/)
- [Tales of Enchantment (2004)](https://www.marc-yeats.com/tales-of-enchantment-2004/)
- [Caliban’s Dream (2008)](https://www.marc-yeats.com/calibans-dream-2008/)
- [I Have a Charm for Bruising (2000)](https://www.marc-yeats.com/i-have-a-charm-for-bruising-2000/)
- [movement from (2004) remix 2010](https://www.marc-yeats.com/movement-from-2004-remix-2010/)
- [movement towards (2004) remix 2010](https://www.marc-yeats.com/movement-towards-2004-remix-2010/)
- [Siren Song (2006)](https://www.marc-yeats.com/siren-song-atavus-album-2006/)
- [Crowded Rooms (2011)](https://www.marc-yeats.com/crowded-rooms-2011/)
- [Paternoster (2010)](https://www.marc-yeats.com/paternoster-2010/)
- [Songs from the abattoir](https://www.marc-yeats.com/songs-from-the-abattoir/)
- [Responsoria (2010)](https://www.marc-yeats.com/responsoria-2010/)
- [Bird Box (2010)](https://www.marc-yeats.com/bird-box-2010/)
- [Mimesis (2004)](https://www.marc-yeats.com/mimesis-2004/)
- [Demerara records 'this is tomorrow calling'](https://www.marc-yeats.com/demerara-records-tomorrow-calling/) - Recorded with the Bristol Ensemble

## Pages

- [Front Page](https://www.marc-yeats.com/)
- [videos](https://www.marc-yeats.com/videos-2/) - Videos of Marc's performances, score to videos, workshops, discussions and interviews with world-renown performers and organisations. Please explore.
- [News](https://www.marc-yeats.com/news/) - July 2026 News, latest projects and events.
- [concerts](https://www.marc-yeats.com/concerts/) - Be the first to find out when Marc's work is performed live in concert in the UK and internationally.
- [Support](https://www.marc-yeats.com/support/)
- [about](https://www.marc-yeats.com/about-marc/) - Boundary-pushing timecode-supported polytemporal works commissioned and featured worldwide – Published by Composers Edition. PhD. Candidate WRoCAH scholar.
- [Books](https://www.marc-yeats.com/books/)
- [Contact](https://www.marc-yeats.com/129152239-2/) - Use this page to contact Marc Yeats.
- [quotes](https://www.marc-yeats.com/quotes/) - Discover what others have said and written about Marc's music, performances and workshops, from Sir Peter Maxwell Davies to John Mcleod.
- [listen](https://www.marc-yeats.com/listen/) - Listen to a selection of Marc's contemporary classical performances and broadcasts. His unique music is played and commissioned worldwide
- [Buy Sheet Music](https://www.marc-yeats.com/buy-music/) - Marc's music is published on Composers Edition. Use this page to connect directly to Marc Yeats profile page at Composers Edition.
- [Shop](https://www.marc-yeats.com/shop/)
- [Press](https://www.marc-yeats.com/press/) - Visit this page to download Marc's EPK (electronic press kit) for access to biographies, photos and media.
- [Blog](https://www.marc-yeats.com/blog/) - Boundary-pushing contemporary composer – works commissioned and featured by orchestras worldwide and through many BBC and international broadcasts. timecode-supported polytemporal compositions. Published by Composers Edition. PhD Candidate at the School of Music, University of Leeds. WRoCAH scholar.
- [homepage](https://www.marc-yeats.com/test/) - Boundary-pushing contemporary composer – works commissioned and featured by orchestras worldwide and through many BBC and international broadcasts, working with mobile technology and asynchronous structural compositions. PhD Candidate at School of Music, University of Leeds. WRoCAH Scholar.

## Products

- [The Anatomy of Melancholy](https://www.marc-yeats.com/product/the-anatomy-of-melancholy/)
- [Timecode-Supported Polytemporal Music: What It Is and How to Write It](https://www.marc-yeats.com/product/timecode-supported-polytemporal-music-what-it-is-and-how-to-write-it/)
- [Music, Painting, Landscape and Me](https://www.marc-yeats.com/product/music-painting-landscape-and-me-2/)
- [Collected Poems Volume 1](https://www.marc-yeats.com/product/collected-poems-volume-1/)
- [solo and ensemble music: volume 2 (digital album)](https://www.marc-yeats.com/product/solo-and-ensemble-music-volume-2-digital-album/)
- [solo and ensemble music: volume 1 (digital album)](https://www.marc-yeats.com/product/solo-and-ensemble-music-volume-1-digital-album/)
- [The Anatomy of Melancholy (download)](https://www.marc-yeats.com/product/the-anatomy-of-melancholy-download/)

## Categories

- [Uncategorized](https://www.marc-yeats.com/category/uncategorized/)
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- [CDs & DOWNLOADS](https://www.marc-yeats.com/category/cds-albums-and-downloads/)
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- [TRIOS](https://www.marc-yeats.com/category/trios-mixed/)
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- [STRINGS](https://www.marc-yeats.com/category/strings/)
- [MUSIC VIDEO](https://www.marc-yeats.com/category/music-video/)
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- [ORGAN](https://www.marc-yeats.com/category/organ/)
- [ACOUSMATIC](https://www.marc-yeats.com/category/acousmatic/)

## Tags

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- [chamber cartel](https://www.marc-yeats.com/tag/chamber-cartel/)
- [chamber orchestra](https://www.marc-yeats.com/tag/chamber-orchestra/)
- [clarinet](https://www.marc-yeats.com/tag/clarinet-2/)
- [clarinet and piano](https://www.marc-yeats.com/tag/clarinet-and-piano/)
- [clarinet oboe bassoon](https://www.marc-yeats.com/tag/clarinet-oboe-bassoon/)
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- [contemporary music](https://www.marc-yeats.com/tag/contemporary-music/)
- [contemporary music for brass](https://www.marc-yeats.com/tag/contemporary-music-for-brass/)
- [contemporary music for wind](https://www.marc-yeats.com/tag/contemporary-music-for-wind/)
- [contemporary music for wind and percussion](https://www.marc-yeats.com/tag/contemporary-music-for-wind-and-percussion/)
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- [countertenor](https://www.marc-yeats.com/tag/countertenor/)
- [dark gravity](https://www.marc-yeats.com/tag/dark-gravity/)
- [demerara records](https://www.marc-yeats.com/tag/demerara-records/)
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