For piano Dedicated to Jonathan Powell Program Note: There is no programmatic intention in what unfolds as sound in this piece: any or no relationship to the title and the sounding music is forged at the discretion of the composer and listener. Despite this statement, there is an unfolding of material that manifests through contrasting…
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This is a timecode-supported polytemporal ensemble piece for eight players. Dedicated to Ian Pace The premiere is scheduled for the 6th of June at City University, London with Ian Pace and The Pierrot Players. Instrumentation: Piano (solo) Violoncello (solo) Violin 1 Violin 2 Viola Harp Percussion 1: Marimba [4.3]; 5 Woodblocks ranging from high to low; Glockenspiel;…
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This is a timecode-supported polytemporal ensemble piece for seven players. Composed for Bandwidth Instrumentation: oboe clarinet in Bb horn 1 horn 2 viola violoncello double bass Programme Note: There is no programmatic intention in what unfolds as sound in this piece: any or no relationship to the title and the sounding music is forged at the discretion…
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Version for 22-players This is a timecode-supported polytemporal chamber orchestra piece. Instrumentation: alto flute/flute oboe clarinet in B flat bassoon horns in F 1 and 2 Trumpets in C 1 and 2 Tenor trombones 1 and 2 Piano Percussion (1) violin solo string quartet 1 string quartet 2 double bass Composed for the BBC Symphony Orchestra as…
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comforted by a static bond A timecode-supported polytemporal duo for Kingma System alto flutes comforted by a static bond is dedicated to my friends and colleagues, the flautists, Carla Rees and Karin de Fleyt. Duration: 12.35 minutes Program Note There is no programmatic intention in what unfolds as sound in this piece: any or…
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a passing colour duo for two flutes or two flute solos Dedicated to Sean Quinn Duration: circa 10 minutes (for the flute duo and each solo piece). This is a timecode-supported polytemporal composition. Program Note: There is no programmatic intention in what unfolds as sound in this piece: any or no relationship to the…
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i urge the moment forward for piano Programme Note: i urge the moment forward is dedicated to the pianist, Geoffrey Burleson. Duration: circa 15 minutes Fear defines us Defines our borders Furnishes our state Holds us down And Blinds I urge the moment forward For another More valuable one Is waiting Like sand To…
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intoxicated by escape for soprano saxophone and piano intoxicated by escape is dedicated to saxophonist, Giovanni De Luca. Duration: circa 12 minutes Programme Note: The quietest point Is Just before the storm When Intoxicated by escape The beast emerges Marc Yeats ©2005 Although the title for this piece is taken from a poem of…
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This is a timecode-supported polytemporal orchestral piece. The piece is dedicated to my friend and colleague, the conductor and musician Ilan Volkov, whose belief in and support of my work brought about the creation of this orchestral piece. Duration circa 20-minutes Instrumentation: All orchestral instruments are organised into eight spatially distributed groups. Further performance notes…
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duo for 2 B-flat clarinets This is a timecode-supported polytemporal composition Duration circa 14 minutes Dedicated to Raymond Brien
for E-flat clarinet (2020) Duration circa 14 minutes Dedicated to Raymond Brien
For solo violin Dedicated to Peter Sheppard Skaerved Program Note: There is no programmatic intention in what unfolds as sound in this piece: any or no relationship to the title and the sounding music is forged at the discretion of the composer, performer and listener. Despite this statement, there is an unfolding of material that…
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This is a timecode-supported polytemporal duo for violin and piano Dedicated to Peter Sheppard Skaerved Program Note: There is no programmatic intention in what unfolds as sound in this piece: any or no relationship to the title and the sounding music is forged at the discretion of the composer, performer and listener. Despite this statement,…
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Toy Box: 15 pieces for piano Duration: circa 40 minutes Program Note There is no programmatic intention in what unfolds as sound in this collection of piano pieces: any or no relationship to the title and the sounding music is forged at the discretion of the composer and listener. Despite this statement, there is an…
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territories unknown A timecode-supported polytemporal trio for bassoon, viola and piano Dedicated to Lauryna Sableviciute Duration: 15.50 Program Note There is no programmatic intention in what unfolds as sound in this trio: any or no relationship to the title and the sounding music is forged at the discretion of the composer and listener. Despite…
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For harp Duration circa 14 minutes Despite the title of this piece, there is no programmatic intention in what unfolds as sound: any or no relationship to the title and the sounding music is forged at the discretion of the composer and listener. Despite this statement, there is an unfolding of material that manifests through…
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For piano Dedicated to Conrad Tao. The piece lasts about 11 minutes. Program note: ‘Toy [toye]: An unpretentious piece for lute or virginals, simple in form and light in texture. More than 50 examples survive in English sources from about 1590 to about 1660. Named composers of toys include, for keyboard, Bull, Gibbons and Tomkins…
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pnuema for solo contrabass Paetzold recorder Dedicated to Sylvia Hinz. Marc Yeats · Pneuma (2020) For Paetzold Double Bass Recorder World Premiere recording by Sylvia Hinz. Online live concert. 13th February 2021. I realitätsverschwinden solo pnuema is full of cross-references, development and variants of its material held together by a fabric of rhythmic units permeating…
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Dedicated to my friend and composer, Jason Eckardt. This is a timecode-supported polytemporal ensemble piece. the unimportance of events for 17 players Instrumentation: alto flute clarinet in Bb bassoon tenor trombone 1 tenor trombone 2 percussion (1)* piano violin string quartet 1 string quartet 2 Double Bass Duration: 12.02 Want to know more about timecode-supported polytemporal…
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The Anatomy of Melancholy Album Read a review for the disc in Presto Classical, here: http://musicweb-international.com/classrev/2020/Jun/Yeats_anatomy_PFCD123.htm?fbclid=IwAR0UcfPLkNB2Cfwbx1HRcB6w4adU5Lnyrl_Tt53mq3aG8JU-e-5wSYux0vg Click here to buy the album: https://www.marc-yeats.com/product/the-anatomy-of-melancholy/ 5 tracks. 80-minutes of music. Ian Pace is a phenomenal pianist, a man whose musicality and intellect I have admired for many years. I have heard him fearlessly play some of the…
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This is a timecode-supported polytemporal ensemble piece. Dedicated to my friend, Lindsay Edkins. Instrumentation: PiccoloOboe Clarinet in B flatBass Clarinet in B flat Trumpet in C Percussion (1 player)*ViolinVioloncelloDouble bass *Percussion: Vibraphone, Timpani (2 kettles 29-28 inches and 22-20 inches), large, resonant Bass Drum. Duration: 13.50 Program note: Ha, ha, keep time! How sour sweet…
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For solo clarinet and ensemble This is a timecode-supported polytemporal ensemble piece. Dedicated to my friend, Gleb Kanasevich Instrumentation: Clarinet in B flat, Oboe, Harp, String Quartet, Percussion (1)* *Percussion: Deep, resonant bass drum; large, deep Tam-tam; 2 Congas low/high; 2 Bongos low/high; 5 differently pitched Temple Blocks, low to high; High-Hat; Gong; Metal Wind…
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Dedicated to my friend, William A.P.M. Duo for clarinet (doubling Bass Drum) and violin. This is a timecode-supported polytemporal duo piece. Programme note: This piece is a timecode-supported polytemporal composition. It has been created by combining materials from liquid music (2017) for solo B-flat clarinet and materials from cutouts (2014) for violin. The addition of…
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the shape distance are a series of (initially) seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented by two solo pieces that although composed in isolation contain strongly related material. the shape distance [9]…
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For Chamber Orchestra Dedicated to my dear friends, Stephen Davismoon and Lauryna Sableviciute This is a timecode-supported polytemporal chamber orchestra piece. Duration 20’36” Programme note: ‘8. A classic is a work which constantly generates a pulviscular cloud of critical discourse around it, but which always shakes the particles off.’* *From 14 definitions of what makes…
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For violin and ensemble Dedicated to Peter Sheppard Skaerved Instrumentation: Violin solo, 1 Oboe, 2 Clarinets in B-flat, Harp, String Quartet and Percussion (1 player)* *Deep, resonant bass drum; 2 differently pitched Tam-tams; 4 suspended cymbals ranging from high to low in pitch. This is a timecode-supported polytemporal ensemble piece. Duration: 13 minutes. programme note:…
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Cold Kitchen Hill is an area of chalk upland directly north of Kingston Deverill in the county parish of Brixton Deverill, Wiltshire. Any or no relationship between the title and the sounding music is forged at the discretion of the composer and the listener. cold kitchen hill is dedicated to my friend and colleague, Ian…
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For double string quartet This is a timecode-supported polytemporal string piece Dedicated to my dear friend, Gráinne Mulvey pulviscular observations is an intimate, compressed, elegiac and sometimes explosive 11-minute piece for double string quartet. pulviscular observations‘ relationship to landscape, intuitively established through self-borrowed materials taken from observation 4, and observation 5 and before them, the…
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pulviscular compression is an 11-minute piece for 19 string instruments spatially organised as four string quartets and three double basses. This is a timecode-supported polytemporal string orchestra piece pulviscular compression is dedicated to my friend, the composer Camden Reeves. pulviscular compression is a terse, compressed, agitated and somewhat relentless composition that attempts to establish a…
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PAGAN is the original, complete orchestral work that comprises PAGAN I and PAGAN II. I divided PAGAN into two halves in the belief that it would be easier to receive performances of the smaller sections of the work, and this was the case, certainly regarding PAGAN II, which received several performances and broadcasts. It remains…
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