Gordon Crosse :: in conversation 
In August 2014, my partner Mark Hewitt and I took what has now become something of an annual pilgrimage to Suffolk to visit our very dear friend and composer, Gordon Crosse.
These visits have proven to be an oasis of calm in an otherwise hectic life. Suffolk is a strange land – somehow very cut off from elsewhere, isolated, almost in a different time-zone all its own.
The landscape has always been a favourite; gently rolling agricultural land – lots of arable farming, beautiful villages, amazingly historic, well preserved churches, byways and forgotten villages and a desolate, quietly vast coastline of soft crumbling cliffs, expansive reed-beds or long shingle beaches stretching as far as the eye can see. It is a land of horizons and sky – light and shadows. There’s fragility here, too. The land is constantly under threat from the sea – any trip to the sea makes it clear how low-lying much of the coastal fringe is, and where there are cliffs, they crumble with each gentle caress of the waves for they are made of sand, the legacy of vast, ancient ‘petrified’ estuarine deposits easily eroded by wind, rain and of course, the sea. Here you will find lost villages that have been claimed by the sea and the haunted remnants of houses condemned to destruction as they perch and eventually tumble from their foundations above the cliffs to the beach below. There is great beauty and peace here – great quiet, too; one can walk for days.
Gordon lives in a secluded cottage near an area of rare, protected heathland, cocooned in a small indentation in the land. There’s no standing on ceremony here; Gordon is very relaxed as are his surroundings, reflecting much of his life, past and present. The house is fascinating in as much as it tells you a great deal about its owner, his life and priorities. You’ll find no fitted carpets, fitted kitchens or matching three-piece suites here – no colour-coded bathroom furniture; the house is like a snowball that has collected its content as it rolled through life.
Gordon is a wonderful host, too, and we always have so much to talk about; music especially. With three composers in the room, all with different musical aesthetics and many shared passions, conversation flows. On our last trip to Gordon’s it occurred to Mark that we should capture some of this conversation to share with others, not least because there is a lot of interest in Gordon’s music and life as a composer and very little information about him in recent years. Mark and I talked about this with Gordon and all were in agreement it would be a good idea to proceed.
There would be nothing academic or staged about these interviews. To avoid any formality we decided to adopt a conversational format, over several glasses of wine with an iPhone voice recorder left on the table – to record. The series of four conversations that followed are unedited; clanks, bangs, rattles, pops, jokes, conversation, laughter and all. They are rough and ready but to their advantage, natural, unselfconscious outpourings of life, music and more.
As well as recording these ‘in conversations’, I decided to take photos around Gordon’s house by investigating its corners, shadows and rooms to reveal something of the history and stories it tells.
We hope you enjoy them.