Category: ALL CLARINETS

Marc Yeats - Composer

Liquid Music for Ensemble (2019)

Instrumentation: Clarinet in B flat, Oboe, Harp, String Quartet, Percussion (1)* *Percussion: Deep, resonant bass drum; large, deep Tam-tam; 2 Congas low/high; 2 Bongos low/high; 5 differently pitched Temple Blocks, low to high; High-Hat; Gong; Metal Wind Chimes Duration: circa 18-minutes Dedicated to Gleb Kanasevich Programme note: Like all my recent timecode-supported polytemporal compositions, liquid…
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obscure sorrows (2019)

Dedicated to my friend, William A.P.M. Duo for clarinet (doubling Bass Drum) and violin. Programme note: This piece is a timecode-supported polytemporal composition. It has been created by combining materials from liquid music (2017) for solo B-flat clarinet and materials from cutouts (2014) for violin. The addition of a bass drum, played by the clarinettist,…
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liquid music (2017)

For B flat clarinet | Duration: circa 14 minutes | Dedicated to Gleb Kanasevich liquid music is full of cross-references, development and variants of its material held together by a fabric of rhythmic units permeating the work as a whole. It was conceived and should be performed as a stream of consciousness; a single seldom interrupted…
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the pictographs of emmanuel domenech [2015]

the pictographs of emmanuel domenech for 2 flutes, oboe/cor anglais, bass clarinet, contrabassoon, violin, viola, violoncello, harp, and percussion [3]* *deep, resonant bass drum; 5 tom-toms ranging from low to high; 2 large, deep tam-tams; 5 differently pitched resonant wooden objects ranging from low to high [non-specific boxes, barrels, bowls, planks, logs etc.] or 5…
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vacuum beauty helmet [2015]

For clarinet in B Flat and piano – written for Sarah Watts, dedicated to Sadie Harrison. Duration: 7 minutes.

shapeshifter [2015]

Dedicated to Gleb Kanasevich | duration 20 minutes shapeshifter for clarinet in Eb [soloist] and ensemble: flute, violin, violoncello, guitar, piano and percussion [1]* *Marimba [5 octaves]; Deep, resonant bass drum; 4 Tom-toms ranging from low to high; large, deep Tam-tam; 4 differently pitched resonant wooden objects ranging from low to high [non-specific drums, boxes,…
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cohort [2014]

For clarinet in B flat, piano and vibraphone. Duration 5.30″ cohort: for clarinet in Bb, piano and vibraphone     notes: The instrumentalists play independently of each other. Music is cued to begin only with both instruments starting at the same time. There is no ‘fixed’ synchronisation between the instrumentalists. Whilst the relationship of each…
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dark gravity [3] [2014]

dark gravity [3]: for flute, clarinet in Bb, and bassoon. c 12″ minutes in duration. notes: The instrumentalists play independently of each other. The ensemble is cued by the bassoon at rehearsal mark 1. There is no ‘fixed’ synchronisation between the instrumentalists. Whilst the relationship of each instrument is flexibly placed against its neighbour, care…
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the shape distance [14] 2014

the shape distance [14] flutes 1 + 2 / Clarinets 1 + 2 / Violas 1 + 2 / harp / percussion (1) Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) The Shape Distance by Chamber Cartel the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each…
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the shape distance [13] 2014

the shape distance [13] flutes 1 + 2 / clarinet / viola / harps 1 + 2 Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other…
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the shape distance [12] 2014

the shape distance [12] clarinet / viola / harp Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is represented…
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the half-life of facts [2014]

the half-life of facts: for flute, bass clarinet in Bb, violin, violoncello, piano. circa 15″ minutes in duration. the half-life of facts [flt., BCL., Vln., Vc., Pno – 15 minutes] commissioned by the Australian new music group, ‘Syzygy Ensemble‘ was premiered on May 6th. at the Melbourne Recital Centre as part of the 2015 Metropolis New Music…
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and I must borrow every changing shape [2014]

Quintet for B flat and E flat Clarinets [simultaneously], oboe, scordatura harp and percussion [1] [4 suspended cymbals, 2 differently pitched large tam-tams, large, deep, resonant bass drum] Duration. 7.5 minutes This is a studio iteration of an acoustic asynchronous composition. Marckus Wenninger – clarinets Christopher Redgate – oboe Harp and percussion – members of…
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dark gravity [2] wind trio 2014

dark gravity [2]: for clarinet in Bb, oboe and bassoon. circa 14.30″ minutes in duration. notes: dark gravity [2] is the wind trio [only] version of dark gravity, a quartet for wind trio [cl. ob. bsn.] plus percussion. The instrumentalists play independently of each other. The ensemble is cued by the bassoon at rehearsal mark…
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dark gravity [2014]

dark gravity: for clarinet in Bb, oboe, bassoon and percussion [1 player: Deep, resonant bass drum, large, deep Tam-tam, 2 Congas low / high, 2 Bongos low / high 5 differently pitched Temple Blocks, low to high, High-Hat, Gong, Metal Wind Chimes]. circa 14.30″ minutes in duration. The instrumentalists play independently of each other. The…
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the moon upright [wind trio] 2014

the moon upright: for flute, oboe, and clarinet in B flat. circa 12 minutes in duration. notes: The instrumentalists play independently of each other. Music is cued to begin only with both instruments starting at the same time. There is no ‘fixed’ synchronisation between the instrumentalists. Whilst the relationship of each instrument is flexibly placed…
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corpuscular theory of light [2013]

corpuscular theory of light: instrumentation – clarinet in Bb, soprano saxophone, xylophone. circa 12 minutes in duration. notes: The instrumentalists play independently of each other. Music is cued to begin only or at various points throughout the work. There is no ‘fixed’ synchronisation between the instrumentalists. Whilst the relationship of each instrument is flexibly placed against…
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adam’s grave [clarinet quintet 2013]

adam’s grave instrumentation – clarinet in Bb, violin, viola, cello and harp | circa 12 minutes in duration. Dedicated to my friend David E W Rogers   notes: The instrumentalists play independently of each other. Music is cued to begin only or at various points throughout the work. There is no ‘fixed’ synchronisation between the instrumentalists. Whilst…
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black root [2013]

black root for solo Eb clarinet | dedicated to Markus Wenninger. An entanglement of sounds some of which lie below the surface, out of hearing. Duration: circa 12 minutes black root develops material from the works that preceded it. This follows on from a compositional trend that can be traced back over many years but…
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the shape distance [1] (2013)

the shape distance [1] flute 1 / clarinetDedicated to Adam Starkie The Shape Distance by Chamber Cartel the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material.The core music is represented by two…
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the shape distance [2] (2013)

the shape distance [2] flute 1 / clarinet / piano Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is ‘enclosed’ by other layers of material. The core music is…
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the shape distance [3] (2013)

the shape distance [3] flutes 1 / clarinet 1 + 2 / viola / harp / piano Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) The Shape Distance by Chamber Cartel the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core…
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the shape distance [5] (2013)

the shape distance [5] flutes 1 + 2 / clarinet / viola / percussion (1)Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) The Shape Distance by Chamber Cartel the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar core material that is…
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the shape distance [6] (2013)

the shape distance [6] flute 1 / clarinet / harp / percussion (1) Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) Chamber Cartel premiere recording of Marc Yeats’ ‘the shape distance [6]’ for flute, clarinet, viola, harp and percussion [1] This track does not appear on ‘the shape distance’ CD and download album, but there…
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the shape distance [7] (2013)

the shape distance [7] flutes 1 + 2 / clarinet / viola / harp / piano / percussion (1)Dedicated to Caleb Herron and Chamber Cartel (Atlanta USA) The Shape Distance by Chamber Cartel the shape distance are a series of [initially] seven pieces constructed somewhat akin to ‘Russian Dolls’ in that each contains the same or similar…
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quarter-sounds (2012)

For Bass Clarinet | commissioned by Sarah Watts | Duration circa 8.5 minutes Quarter-sounds is published by Metropolis Music Publishers and is available here: quarter-sounds is a study in the use of multiphonics. The piece was commissioned by the bass clarinettist, Sarah Watts to utilise her new multiphonic fingerings within the context of a piece…
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lines and distances (2012)

For solo B flat clarinet | Duration 9.5 minutes | Dedicated to Mark Hewitt Premiered by Markus Wenninger, July 2014, at Benedictine monastery of St.Stephan, Augsburg, Germany.

TLOS (August 2011)

Trio for Clarinet, Violin and Piano. Duration 14 minutes. Dedicated to Gordon Crosse.

schlick’s approximation (2010)

For clarinet, violin and piano. Dedicated to Les Pratt. Commissioned by Manchester Pride to celebrate the centenary of the birth of Samuel Barber. First performance 27th August 2010 – Manchester. schlick’s approximation is performed by Chroma (Stuart King, clarinet; Marcus Barcham-Stevens, violin; Martin Cousin, piano) recorded at the Cosmo Rodewald Concert Hall, Manchester on the…
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Fallen Angel (2007)

For four bass clarinets and percussion. Duration – 10:00 – Commissioned by The Scottish Clarinet Quartet. Premiere 17th August 08 (percussionist Iain Sandilands) Edinburgh.